You’veย been writing your manuscript, essay, or short story for a while now, staring at it so long, working and reworking it, youโre not sure what youโre looking at anymore. You know you want your story to have tension, powerful scenes, vivid characters, a structure that pops, transitions that flow, and sensory details that bring your writing to life, but you are pretty sure you need a fresh set of eyes.
I offer editing and developmental feedback on completed drafts as well as memoir coaching for memoirs in progress. I’m the author of the memoir When She Comes Backย and the winner of Hidden River Artsโ 2020 Eludia Award for my short story collection Home Is A Made-Up Place (to be published late 2022 by Sowilo Press), and a creative nonfiction editor for The Citron Review. Iโve taught all ages and have coached memoir essay writing at the high school and college levels. I have an MFA in nonfiction from Pacific University, and my short fiction and creative nonfiction have won awards (see Press and Awards page).ย
I work with both short and long pieces, fiction and nonfiction, and enjoy big-picture developmental editing as well as swooping in real close for line editing.
I appreciate work that has emotional resonance and takes the reader on a journey, writing that invites the reader to more deeply understand the lived experience of a character/narrator/memoirist. I look for the heartbeat in the projects I edit because I believe the best work leaves the writer and the reader changed. Reading my writing is an excellent way to get a sense of my style and see if Iโd be a good editor for you.
A developmental edit focuses on the big-picture to assess how your project is working overall. Iโll review your story structure, pacing, character development, the balance of scene and reflection,ย connective tissue holding it together, andย how your main themes are developing.ย
You will receive a 2-5 page edit letter (depending on the length of work submitted for review) to assess what is working well and what areas need strengthening. Iโll address structure, tension, subtext and dialogue (where relevant), sensory details and provide detailed suggestions for revising your work.
A developmental and line edit includes a big-picture assessment (see above) plus in-line comments, notes, questions, and suggestions for sections that would benefit from cutting or expanding.
Maybe you started writing your memoir because you knew you had a story you wanted to tell, and you were sure you were ready to share it. But now, several months or years into the process, you feel stuck. Youโve learned that memoir is about meaning-making and pattern-noticing, but youโre not sure youโre on the right track or that you’ve gone far enough. You may even be questioning whether your story is worth telling after all.
Thatโs where I come in. I love helping memoirists recharge and center themselves again. I can help you dig a little deeper and tease out aspects of your story you might not have spent much time on or werenโt as aware of; the divided self and the hidden parts that add depth and tension to your manuscript and help the reader better understand whatโs at stake for you, the memoirist.
Please get in touch with me to check availability or if you have questions. Click here for my rates.
Iโm thrilled to announce my memoir When She Comes Back (Motina Books 2021) is now available for purchase. ๐๐๐๐ฃ ๐๐๐ ๐พ๐ค๐ข๐๐จ ๐ฝ๐๐๐ is a coming-of-age memoir set in the 70s and 80s about losing my mother to a guru in India, giving up power, growing up too fast, and what happens when the person your life revolves around canโt stay.
Learn more about Ronit Plank’s story here.ย
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